The Meisner Technique is a two-year professional training for those who want to become better, more authentic listeners. Whether you’re looking for a career in acting or simply want to acquire better communication skills, this complete course of study produces instinctual and responsive performers.
Will you be prepared when you land your first job as an actor? Our Beginner Commercial and Beginner Scenes acting classes will prepare you for commercials and jobs like under-fives that the working actor first lands when he or she first starts out. They will prepare you for a fast start in the business!
You don’t have to be gifted to express yourself. You only need to be willing to laugh at life’s adventures. In our Stand-up and Improv classes you’ll learn to think fast and express yourself through public performance training. These classes show the steps in making “being funny” real easy.
Our Mission is to Make You a Better Performer
Our mission at the Westlake Acting Studio is to help you become a better performer. Whether you want to pursue a career in acting or simply express yourself more confidently, we will give you the skills and confidence you need to succeed.
Westlake Acting Studio in 2008 was one of the few schools outside of the city to offer the Sanford Meisner program (developed at New York’s Neighborhood Playhouse) to hone your listening skills. Soon we added on-camera and beginner scenes training to jump-start your career in the industry. Then we created a Meisner Master Class to provide our students with a professionally-oriented, well-rounded acting program.
Our improv and stand-up performance classes are an adjunct to our acting training. Improvisation sharpens the instincts and builds self-trust. Stand-up comedy polishes presentation and increases one’s ability to tolerate risk in a performance setting. Each provides a different set of challenges but together they can help you overcome barriers and build your confidence.
Bringing Real-World Practice to Traditional Training
Our most hands-on effort is the studio-based web series, ‘Rogues of LA. Why a web series? Acting studios have a long history with associated stage companies. We’ve brought that online. With Rogues you feel the camaraderie of working with a theater company while gaining important behind-the-camera and crew experience. Not only is Rogues of LA an opportunity to step into a working film production; it may also be your ticket into Screen Actors Guild membership.
Westlake Acting Studio also hosts the very popular “Conversations with…” speaker series. Past guests include Melissa Gilbert, Alan Ruck, Stacy Keach and more. We’re now in our fifth year.
This guy goes to the Adele concert and films the whole thing, the next day his buddy says, “How did you like it?” and he says, “I don’t know, I haven’t watched it yet.”
At my actor talk with Patrick Warburton I asked him to sing his favorite Pearl Jam song in the voice of Kronk. He thought for a moment and then just before he began he said “phones down” and half a dozen phones went down. What struck me was how reflexive this action is in the young actor; film now, experience later.
If you think that filming your live events will make you a better artist, here is my warning to you…
Acting is about being more present than anyone else in the room and staying present every moment. When you film what’s happening right in front of you, you lose the immediate experiential connection to it. The once-in-a-lifetime impact is gone. The true meaning of connecting with the artist/event is gone. If you create a habit where there is always the barrier of a lens between you and a live, feeling, experience you will lose your ability to connect. No one watches their recording of a live performance after and says “it feels exactly the same as when I was standing there!” In fact it does the opposite, often it makes a great event look lame and kills your feelings about it.
As an artist your job is to communicate on a higher level than everyday chatter, to risk being very private in public. So stop documenting every moment and risk being in them. It is only by being present that you put yourself in a position to have those sparks of amazement, those epiphanies of understanding wash over you when something honest is happening in the room. Thinking you can be totally present on stage but needn’t be that way elsewhere is a fallacy. Take in what other actors and artists hand you and be influenced. Trust that what sticks in your brain is what you need from it. A spark inspiration might be found within a video replay, but the MUCH bigger risk is that you (and to those around you) are being robbed of the perfect connection we get from being lucky enough to see this stuff live and for real. It’s bad enough when you stand next to the guy who wants to out sing Bono, but having to watch the concert through his phone screen because it’s simply unavoidable is homicide sized maddening.
Actor’s faith isn’t only about what happens on stage, it’s also about the faith you have in yourself to be learning all the time.